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Choose one of the options as presented.When you first open a photo, Luminar AI will suggest editing templates. But you always maintain complete control over the process. Luminar AI achieves this by automating the most complex and routine tasks. The main purpose of Artificial Intelligence is to make your image editing more creative and enjoyable. You’ll feel inspired and creative thanks to Luminar AI. We know that artificial intelligence can help create great images, in less time, every time. A great image will help your success - but it shouldn’t take hours and days to make those images happen. It is the way you communicate your ideas, values and personal brand it’s the way to promote your products and services. We know that for you, a great image is just a starting point. Luminar AI is the culmination of more than a decade of innovation focused on improving your photos. We created Luminar AI to give you a smart, innovative tool to help save the time you spend on routine image editing tasks, instead giving you more creative inspiration to turn your photos into engaging stories. We know that a traditional approach to photo editing is complex, outdated and time consuming. Without sacrificing quality, speed or creative options.Īs the Skylum team, we want to help communicators and creative professionals be more successful with the content you create. Innovations like Sky AI, Face AI, Body AI, Iris AI, Atmosphere AI and more give your images a memorable style and a competitive edge. Luminar AI features many AI tools that allow you to get more done in less time. While other companies use artificial intelligence as a catchphrase, Luminar AI is packed full of truly smart technology. It’s perfect for anyone, of any skill level. With Luminar AI, you can create great-looking photos much faster. It required effort and skills to get satisfying results. Before, traditional editing software was outdated. Artificial intelligence saves you time and effort. We built Luminar AI with artificial intelligence at its core. While Skylum is well-known for building software that taps into artificial intelligence for great results, Luminar AI is entirely different. Luminar AI is an all-new application and plug-in and the first fully AI-powered image editing software in the world. Download Luminar AI by clicking the Download button. In your account, you will see a My Software tab with all of your Skylum software, including Luminar AI.įind the tab with Luminar AI. Make sure to choose the same email used for the Luminar AI purchase. If you don’t have an account, you can create it here. If you already have an account, sign in with Google, Facebook, Microsoft, Apple, or your email and password. Your download links will be waiting for you in your Skylum account. Still don’t see Luminar AI in your account? Our support team will help you with that. After that, please go to the inbox of your new email address and verify your email.Ĭongratulations! You’ve activated Luminar AI. If you have a Skylum account, but purchased Luminar AI using an email address not tied to it, you can merge your accounts into one in the My Software tab > Link my licenses section of your Skylum account. You can sign up with a Facebook, Google, Microsoft, or Apple account, or you can sign up using your email and a password. If you don’t have a Skylum account, click Register and create a Skylum Account. If you already have a Skylum account, sign in with a linked Google, Facebook, Microsoft, or Apple account, or sign in with your email and password. Use that email to log in to your Skylum Account or, if needed, create a new Skylum Account tied to that email address. NOTE: Your Luminar AI purchase is linked to the billing email address you provided. When you start Luminar AI, you’ll see a window that prompts you to log in to your Skylum Account. Now you may activate Luminar AI directly from your account.īy default, all our software launches in trial mode when you first open it. There’s no need to remember your license number in order to use Luminar AI. With Luminar AI we made the activation process easier and faster for you. Speed of editing tool does not depend on the number of tools applied to the imageīasic Local Masking tool for Local AdjustmentsĪbility to import and manage photos in catalog Applying a Preset / Look / Template does not discard previously made changes.Īpplication of a few Presets / Looks / Templates to one image with unique own masks Save all the layers with images and masks to a Preset / Look / Template for double reuseĪpplying Presets / Looks / Templates to any layer, independently of each other. Ability to use one editing tool multiple timesįlexible user-centric order of application of tools while editing an imageĪpplication of any editing tool to any image layer The harmonies are rather static, giving the music a suspended quality, as if it might slip away at any moment. In the fourth variation, the only one in a minor key, the chorale-like quality returns and the theme is hardly changed. In the first three variations, the theme remains completely unchanged, only that it is heard in the left hand in the third variation. In the first and third variations the theme has different triplet accompaniments, while the second variation uses the theme in a canon. “A beautifully moving and devout theme” ( Clara Schumann) opens the work with a chorale-like simplicity, intimate and introspective. Delighted with the “new” theme, he immediately set about writing a set of variations upon it. 2 (1842), in his Lieder-Album für die Jugend (1849), and, in the slow movement of his violin concerto, written just four months earlier. He had used it in his String Quartet, Op. But by the morning, the voices of angels in his head had turned into the hideous voices of “tigers and hyenas”.Īlthough he believed it to be completely new, the theme was in fact one of his own. On 17 February, he rose in the middle of the night and wrote down a chorale-like “spirit theme”, which he believed was dictated by him by the ghost of Mendelssohn or Schubert. He had on several previous occasions begged Clara to have him incarcerated. By 1854, the year the Geistervariationen were composed, Schumann teetered perilously on the brink between madness and lucidity, and he was well aware of his unstable mental condition. Aware of these contrasting sides to his personality, he gave them names: “Florestan” was the energetic and passionate artist who could write a symphony in just four days “Eusebius” was the depressive introvert. Throughout his life, Schumann had been plagued with what we would now call manic depression or bipolar disorder. The first edition finally appeared in 1939. The events leading up to and surrounding Schumann’s committal to the asylum (he cast his wedding ring and then himself into the freezing river Rhine in a suicide attempt during the composition of the Ghost Variations) led Clara to jealously guard the manuscript, almost in the manner of a holy relic, and would not permit the variations to be published. Schumann: Variations on an Original Theme, Anhang F39, “Geistervariationen” (Ghost Variations) Dedicated to his beloved wife Clara, they were written just a few weeks before he was committed to a lunatic asylum at Endenich, and were the last piece of music he wrote. There’s a special poignancy to Schumann’s Geistervariationen (“Ghost Variations”). The website will give you information on how to become a member. If you're a member of NYSCI, you can get in free all year long. You can call or go to the website for these days and hours. During certain times, general admission is free. For this reason, you may want to purchase a combination ticket that lets you do everything there is to do for one price. For example, you can just visit the museum, or you can visit the museum and play Rocket Park Mini Golf, or you can visit the museum, play Rocket Park Mini Golf, and play on the Science playground.Įach venue has an admission price. If you think this is the case on the day you are planning to visit, you may wish to call ahead.Īdmission prices differ depending on all which activities you want to do. The hours of operation for the New York Hall of Science are usually 9:30 AM until 2:00 PM Monday through Thursday, 9:30 AM until 5:00 PM on Friday, and 10:00 AM until 6:00 PM on Saturday and Sunday. Thanks for coming Most popular community and official content for the past week. Through the game we take you from classic courses to environments you never imagined playing golf within. Pull a trigger instead of taking a swing. Everyone is welcome, and the staff will make every effort to accommodate each person who walks through the doors. Rocket Golf is a game that brings a new dimension to the traditional game of golf. This includes those with limited abilities. The New York Hall of Science wants everyone who visits to enjoy themselves. This means you might get to look at something through a real microscope, watch as chemicals are mixed (you may even get to mix something up yourself) and finally figure out some of the laws of physics (or, at least get a better idea of how they work so that you can be ready the next time they start working against you.) The exhibits focus on biology, chemistry, and physics. There are more than 450 exhibits in the New York Hall of Science that let you touch and explore. That means you actually get to touch things, something you can't do in other buildings in New York City. Today, the New York Hall of Science is a hands-on science and technology center. Though a wave of democratization occurred in the aftermath of the Cold War, the promise of an “end of history” gave way to a much more complex and unstable reality (Fukuyama, 1992). It was easy for the warnings about climate change to be drowned out amidst the clamor of a new post-Cold War world.Īfter 1989: Geopolitical Disruptions Divert Attention from Climate ChangeĪfter the Berlin Wall fell, the international security environment changed rapidly and in largely unpredictable ways, diverting attention from long-term, non-traditional risks such as climate change. In many ways, governments were not prepared for the more unpredictable changes to the international system that were in store. The wave of optimism that resulted from such cooperation, however, soon gave way to harsh and complex realities. Finally, on November 9, 1989, eleven months after the creation of the IPCC, the first segment of the Berlin Wall crumbled, setting the stage for the managed collapse of the Soviet Union and the reunification of Germany. On August 26, 1989, the Montreal Protocol, a global agreement involving 197 countries designed to save the depleted Ozone layer, entered into effect (United States State Department, 2018). In April of 1989, cooperation on trade brought 123 nations together within the General Agreement on Tariffs and Trade framework to agree on improved trade dispute settlement rules and procedures (WTO, 2018), which later laid the groundwork for the World Trade Organization. On June 1, 1988, the United States and the Soviet Union agreed to eliminate their intermediate-range and shorter-range missiles as the Intermediate-Range Nuclear Forces Treaty entered into force (Arms Control Association, 2018), signaling a dramatic de-escalation in hostilities. This event heralded a wave of unprecedented international cooperation on major issues of security, trade and the environment. In June of 1988, over 300 scientists and high-level political leaders from 46 different countries came together for the “World Conference on the Changing Atmosphere: Implications for Global Security.” The Conference Statement was stunning in the seriousness of its warning about climate change (WMO, 1988, 292), stating: “these changes represent a major threat to international security and are already having harmful consequences over many parts of the globe.” This warning was followed up by United Nations (UN) General Assembly Resolution 43/53 (UN, 1988) which warned of climatic changes that could be “disastrous for mankind if timely steps are not taken at all levels.” The Resolution created the IPCC, a cooperative body explicitly created for understanding the common threat of a changing climate. This combination of unprecedented risks and unprecedented foresight underscore a “Responsibility to Prepare.” While some of these changes have caught the international security community off-guard, we have seen climate change risks coming for many decades. Since then, the world has witnessed dramatic social, political, economic, and climatic shifts, as well as incredible technological change – including improvements in our ability to predict future changes in the climate and their implications for international security (Schleussner et al., 2016). The Intergovernmental Panel on Climate Change (IPCC) was established in 1988 and the Berlin Wall fell in 1989. The end of the Cold War coincided with the beginning of global awareness about the risks from climate change. This article is an abridged version of a forthcoming article for The Journal of Diplomacy and International Relations, School of Diplomacy and International Relations, Seton Hall University.
Later named Chicago Pile-1, their goal was to create the worlds first self-sustaining, controlled nuclear chain reaction. The group, led by Italian physicist and Nobel laureate Enrico Fermi, stacked graphite bricks, piling 57 layers that totaled more than 770,000 pounds. This led to the creation of the atomic bomb at the Los Alamos Lab, where Fermi continued his work. Enrico Fermi oversaw the Chicago Pile-1 experiment that created the world’s first self-sustaining nuclear reactor. Electrical Power Capacity Upgrade ProjectĮighty years ago on a bitter-cold December day in 1942, scientists gathered at an abandoned squash court at the university of Chicago where they would ultimately enable a secret lab in Los Alamos to change the world.View Environmental Stories Wildfires may contribute to global warming Environmental impact considered at LANL Taking the long view on environmental stewardship Environmental Sampling When you want the gold, go green Homesteading on the Pajarito Plateau lecture at LANL Los Alamos Research featured in Nature Climate Change Meltwater effects on flow of Greenland’s ice sheet Pat Gallagher recognized posthumously LANL names Jeffrey Mousseau Associate Director Not all bird populations dwindling at LANL Los Alamos catalyst could jumpstart e-cars, green energy Cobalt holds promise as an industrial catalyst New process speeds conversion of biomass to fuels DOE recognizes Los Alamos with awards for sustainability Climate change cripples forests Laboratory to demolish excavation enclosures Preserving the past for future generations LANL Pollution Prevention LANL selects small businesses for environmental work Sustainable practices support Lab growth Cellulose structure requires fewer enzymes It debuted in the Top 20 of the ARIA charts and attained platinum sales.Īttracting more attention, he toured with Jack Johnson, as well as G. The independently released album was his first to be distributed by Universal, which gave him a larger audience. Solace contained his cover of Bob Marley's "No Woman No Cry" and the single "Let Me Be," which he still performs at concerts. His next studio album, 2004's Solace, attempted to capture his live sound by eschewing guest artists - Rudd played all the instruments with few overdubs. His first studio album, To Let, followed a year later on his own Salt X Records.Ģ003 saw another independently released document of his stage performances in Live at the Grid. The first document of his performances, Live in Canada, was recorded in 2001 and helped spread the word. During his travels, Rudd developed an affinity for Canada, where he enjoys dual citizenship from his first marriage. He honed his performing and songwriting skills while busking there for nine months. Immediately after graduating, he traveled to Fiji. He attended St Joseph's College, Geelong for secondary school. He could never focus on just one instrument instead he found ways to combine them. While growing up in Torquay and Bell's Beach in Victoria, he also learned to play guitar, clarinet, and saxophone as well as surf. While in primary school, he learned the circular breathing technique required to play didgeridoo after liberating a vacuum cleaner hose from his mother's machine. He is of Aboriginal, Irish, and Scottish heritage. Rudd was born in Jan Juc Moon near Toquay in 1978, one of seven children. In 2022, he issued the double-length Jan Juc Moon for Salt X/Virgin. 2015's Nanna was performed by his international nonet the United Nations, and mixed by legendary reggae engineer Errol Brown 2017's Storm Boy for Nettwerk, marked a return to his folk-roots sound. He employed electronic textures and backdrops on 2012's Spirit Bird. Between 2005's Food in the Belly and 2010's Koonyum Sun, his albums appeared on the North American Anti- label. He released Solace, a studio offering, in 2004. He often performs solo, surrounded by three didgeridoos in front, a guitar on his lap, a stomp box under his bare feet, and an assortment of drums, percussion instruments, banjos, harmonicas, bells, and a bass all rest nearby. From To Let, his debut album in 2002, he combined a deep love for the environment, humanity, and surfing with an obsession for blues and international roots music from Africa, the Caribbean, Australia, New Zealand, and the tropics. Noise11.Xavier Rudd is a singer, songwriter, and multi-instrumentalist from Australia. The previous Xavier Rudd album was ‘Storm Boy’ in 2018. Since 2007’s ‘White Moth’, six consecutive Xavier Rudd albums have debuted in the Top 10. Xavier Rudd released his first album ‘To Let’ in 2002. Equally exciting is the new music Xavier is about to release and I know that it’s going to make a huge impact both here in Australia and around the world.” There aren’t many Australian artists who can tour consistently and sell out in over 20 international markets every time they go on the road. I’ve always watched his career from afar and have admired the way in which he has worked so hard in creating a real international footprint for himself. Parisi added, “We are thrilled to have Xavier on our roster. Stephen Wade said, “The opportunity to represent and work with Xavier, Michael and their team on the next phase of his musical journey is something we cannot wait to begin, and it’s a great privilege to welcome him into our family of artists.” I feel excited and supported moving forward with Right Hand Management, Select and Virgin Music.” “For me to have this time to form new alliances with people who are passionate and ready to help me spread a new vibration around the world through my music has been a blessing. “It has been a time to stop and reset in the world and we have all been tested,” Xavier said in a statement. Virgin Music has signed Rudd who has also teamed with Michael Parisi’s Right Hand Management and Stephen Wade’s Select Music to take a post-Covid direction with his career. Xavier Rudd will release his 10th album via a new deal with Virgin. It's also the perfect gift for anyone that's in love with books and the aesthetically pleasing look of crystals. 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It is also a nature artwork great decoration to your home or office. 【Bookend that blocks the book】:Keeps books movies and CDs vertically organized and stop them from falling over onto each other. It increases the mystery of the bookend and the back retains the natural roughness of agate s shell. + Read More ch pattern and shape is unique. Sliced from semiprecious stone, these bookends are a dramatic way to anchor books on a shelf or table. Two sides of the bookends are cut and polished, while the outer layer is in its raw state. Bookends, Bowls, Boxes and Vases Fossils Meditation Stones, Crystals and Wands Mineral Specimens Rough Rock and Stone Slabs. Australian Dollar CAD Euro US Dollar Gift Certificate. Due to the natural crystal formation, each set of 2 pieces is unique. Crazy Lace Agate Sphere Stone 1.5 inch Rock 40 mm Ball O1. 【Small Blue Bookends】:Each blue agate bookend is cut polished and polished from agate geodes dyed blue and ea. 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Choice of two signature sides.Ĭhoose one or two cakes. beef tenderloin and a jumbo lump crab cake. Your choice of dressing.Ĭhopped romaine, mixed greens, bacon, egg, tomato, onion, olives, avocado, blue cheese, and shredded cheddar jack with grilled chicken. Mixed greens, smoked salmon, lump crab deviled eggs, shrimp, crispy calamari, manchego cheese and gruyere cheese. Hearts of romaine, romano, croutons and house made Caesar dressing Romaine hearts, arugula, cucumber, red cabbage, tomato, avocado, green apple, and a house made citrus vinaigrette. Spinach, baby arugula, tomato, onion, cucumber, mixed olives, toasted chickpeas, feta, and a parsley lemon vinaigrette. Spicy flank steak strips, black bean and corn salsa, roasted red peppers, black olives, avocado, and spicy ranch dressing. Iceberg lettuce wedge with bleu cheese, pepper bacon, tomato, and a creamy tarragon dressing. Served with garlic breadĪ spicy red sauce with garlic and basil. Peel and eat, served with drawn butter and cocktail sauce.įresh tomato, olives, onion, basil, and extra virgin olive oil topped with smoked salmon and fresh mozzarellaĬream broth with garlic, shallots, and white wine. Served over tomato jam and topped with citrus aioli.īaked with spinach, bacon, and cheddar. Stuffed with crab, cream cheese, cheddar jack cheese, bacon.įreshly breaded and fried. One dozen little neck oysters, steamed in white wine, garlic, butter, scallions, & lemon. Topped with paddlefish caviar and parmesan crisps. served with lettuce and tomato on a kaiser rollĬorn tortilla chips topped with crab, jalapeno, black bean & corn salsa, sour cream, salsa, avocado, and cheddar jack cheese. With cheddar & cole slaw on a brioche bunĬooked to order. 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Six or twelve baked with spinach, bacon and cheddar A dozen little neck clams steamed in white wine with fresh garlic, scallions and lemon, served with garlic breadĬorn tortilla chips, crab, jalapeno, black bean corn salsa, sour cream, salsa, avocado and cheddar jack cheese |
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